Workshops

Published: Sunday, February 6, 2022

Upcoming 

Understanding Competition Categories by Bernie Weinzimmer 
August 24, 7:30 PM Zoom
This workshop will help answer common questions around PJ, nature, and travel images. The goal is to help you understand each category better so that you not only improve the images you capture, but choose the appropriate category for submission to LGSCC competitions. You’ll see both good and less-than-good examples of each category and get a better understanding of what disqualifies an image from a category. The first part of the workshop will be a talk. In the second part, Bernie will provide feedback on images that participants bring to the workshop. To register: https://us02web.zoom.us/meeting/register/tZIudOmupz4vG9BgCfiqOyRuDNqnSFdZcoxy

Infrared Photography: What is it and How to Get Started, by Tim Aston 
Sept 8
Drawing from his experience with 720 nm IR photography, Tim will share what he knows about capturing infrared images. He will talk about his IR journey and share with you tips for getting up to speed smoothly. This workshop is aimed at photographers who do not have an infrared camera, but who would like to get started. If you have no intention of doing infrared photography, you can sign up to learn why IR images look as they do. To register: https://us02web.zoom.us/meeting/register/tZIsdOmhrjwqEt0Sj8b27yv4qRQS7qthZDHV

Past

Capturing the Night Sky Using an Equatorial Tracker, by Rick Whitacre (Zoom)

Focus Stacking, by Tim Meadows (Zoom)
The when, why, and how-to of stacking images to get greater depth-of-field.

Creating Still Life Images, by Larry Shapiro (in person)
A hands-on session for composing and capturing still life images with a followup online session on post-processing techniques.

Hand-On Portrait Photography Using Flash, by Eric Gray and Paul Streit (in person)
A workshop in portrait photography with a male model. 

The Art of Seeing by Eric Gray (Zoom)
Learn about the 4 P’s: Planning, Perspective, Persistence and Pushing the shutter and ways to train your eye to see new ways to compose scenes.

 



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